...within a moment the physical environment turned into an intrinsic scape of various spatial morphing sound fields illuminated visually from within. A large stream of completely enveloping spheres of multi-colored noise emerged, innumerable cosmic choir voices breaking forth supported by sacral super-harmonics from unknown sized space organs. Interspersed with some more electrical appearing single voiced musical sounds - developing caleidoscope-like to divide into fractal floating spacial sound patterns - together it was turning into a large harmo-graphical concert: illustrating the universal making of loco-dyna-morphics in a speech of light and sound... Harmonical summer convergence 1987.
Experiences like this kind of an 'auditive illumination', critically reviewed and worked out over the years,
teached me to re-search for the very fundamentals of physical mathematics and geometry,
to be found universally encoded within natural numbers and the large operational matrix of
all types of harmonical proportions: the Grand Harmonical Matrix. But how does that sound?
This led me to explore the form-giving behaviour of harmonically integrated
mechanical waves in a way of geometrical-controlled musical sound projection.
This resulted in the creation of an immersive audio-animation concept - applying multi-parametrical Cymatics
on air - so I named it CymaSonics.
Mozilla . 1280 x 1024 . True Color . Full Screen